Today I went to see the documentary that I had been waiting to see: "Beats, Rhymes and Life: The Travels of a Tribe Called Quest", and it really opened my mind and my heart - which frankly was completely unexpected. The documentary chronicles the 2008 reunion tour which rubbed raw some old wounds that lead to the band's disintegration towards the end of the 1990s. It made me understand elements of relationships that often times we overlook or gloss over. Elements, that...when not explored only make you question more.
Growing up in Easton, Pennsylvania I was blessed to routinely have access to New York, which both excited and scared me all at the same time. You cannot deny the insane amount of cultural opportunities that make that town pulse with a heartbeat all its own. As a youth, I was blessed to be taking hip hop dance lessons and to have incredible friends who introduced me to what I like to think of of "conscious rap". My favorite hip hop has always been Tribe (and their associated incarnations), De La Soul, The Beastie Boys (Paul's Boutique and Beyond), and as an adult - I find myself still drawn to Q-Tip, Mos Def, Talib Kweli, The Roots and The Beasties. I have truly enjoyed seeing hip hop find a groove within itself that was less about one-upsmanship and bling and more about life...beautiful and complicated.
So, I will be honest when I tell you that while I loved the music of Tribe and I'm a big fan of Tip, I didn't really know what lead to the group going their separate ways. When the reunited in 2008 I really wanted to try to go see them, but missed out on tickets. Today, I realized that much like family relationships which are a smaller cosmos of a real "tribal" existence, it IS what we leave unsaid that really starts to eat away at our connections to one another.
From what I saw within the movie, and commented to a new and enlightening friend two of the most pivotal members of the group, Q-Tip and Phife Dawg shared a true "brotherly" relationship. Both knowing each other the longest in the group, I noticed how Q-Tip (being an Aries), really embodied the pushing, motivated, forward motion of his art. He's a leader by nature and sometimes misunderstood as being self-involved or strictly about self-interest. Truth is, he loves and cares about his Tribe but sometimes, while he is an incredible lyricist - is unable to get across what he feels about those he cares for most. Nothing that was revealed in the documentary surprised me about him, and it made me appreciate him more.
On the other hand, I learned more today about Phife than I had ever know. Deeply wanting and sadly stuck having to deal with health issues that in some ways, robbed him of some of the joy that his art gave others. I see him struggling with feeling held back by himself. There's a hint of understandable jealousy, and un-resolved grief within him and I felt that deeply. In fact, I realized how much that festering sense of loss and efforts to deny what you really feel can lead to relationships slowly crumbling. Mostly because you are not connected to what you feel. You are so focused on how you feel, that you lose the ability to share that with others. I was touched by his relationship with his wife, and his continuing journey. Just wanted him to know that I understand how he's struggling with some of the simpler elements of his relationships with his friends. Pride and managing your life with limitations you cannot control. Sometimes this closes you off to deeper connection because all you see is that rather large chip on your shoulder. I say this, because I have mine. Blessedly, I see it more and more as a piece of sawdust more and more these days.
A Tribe Called Quest was a family within itself. It still is. It is a collection of friends who joined into a collection of family by choice...a family that created music but was still exposed to elements of division that communication (or lack thereof), can create. So while I was left with a hint of melancholy, I was also left with wonder. You cannot deny how much the right collection of people when together can create magic. So thank you Tribe for showing me that we are all meant to be together for whatever time we're granted and when we are there, with one another - we can create something bigger than ourselves.
Playing now at Downtown West in Knoxville - GO SEE IT.
Showing posts with label 2 Cent Movie Reviews. Show all posts
Showing posts with label 2 Cent Movie Reviews. Show all posts
Saturday, August 20, 2011
Sunday, June 19, 2011
MY 2 CENT REVIEW: Company (The Movie)
If you know anything about me personally, you know I'm a true "Broadway baby". I grew up with fondness for Rodgers & Hammerstein musicals (The King and I, etc.), moving onto a crush for Kander & Ebb (Cabaret, etc.), in my teens until I found my true love, Stephen Sondheim in my twenties. It happened one afternoon while sitting in my 1st bedroom in my parents house which housed a TV. I was mindlessly watching TV when I stumbled up on "Sunday in the Park with George" featuring Mandy Pitinkin and Bernadette Peters on A & E. I was curious at first and soon became captivated. I never heard a musical like that. Complex vocal and orchestral arrangements, unique and sometimes biting lyrics, incredible stage direction and innovative set design and effects. From that moment on...I wanted to know more. To hear more...to experience more of Sondheim's art.
I have since seen 3 different productions of "Sunday in the Park with George" and each moved me to tears. I've been blessed to see a production of "A Little Night Music", which convinced me that the song, "Send in the Clowns", (when in context), is not a horrible song. I even converted, in some small ways, my husband who's not into musical theatre. Last year, we went to see the incredible production of "Sondheim on Sondheim" which explored his telling of his songwriting and his career combined with stellar performances of his music from such greats as Barbara Cook, Vanessa Williams and the always surprising Tom Wopat (yes, Luke Duke). I own DVDs of "Into the Woods", "Putting it Together", "Sweeney Todd" (the original cast), "Sunday in the Park with George" and the last Broadway production of the film I'm discussing now...as well as the documentary of the original cast recording. Am I obsessed? Yes.
Today, I was blessed to receive a surprising text message from fellow "Musical"-lover Keri asking me if I was interested in attending a Fathom Event at a movie theatre in Oak Ridge with sweet man, James. It was latest production of the musical COMPANY, which got a great preview on this year's Tony Awards. COMPANY is my 2nd favorite of all the Sondheim musicals. It details the relationships of the main character "Bobby", and his interactions with 5 couples of married friends. It's an honest, not sugar coated, sometimes cynical but in the end...endearing portrait of marriage and the views of a single man who is a voyeur into the lives of his friends. It also details 3 dating experiences of this man who's just not sure what side of the coupled fence he'd prefer to be on at this time in his life. I quickly threw on some clothes and out the door I went.
I am SO glad I got it together in time to see this showing. This production of COMPANY pairs the genius of the New York Philarmonic with insanely good performances by Neil Patrick Harris, Stephen Colbert, Martha Plimpton (who the hell knew she could sing - and well), Christina Hendricks, Craig Bierko, Jon Cryer, the sublime Broadway grande dame of our age, Patti LuPone and that's only to name a small few of the performers who round out the cast. The timing was incredible. The cast so true to the material which has really stood the test of time (as the play originally was produced first in the 70s). The themes are still both true and relevant. The music, still moving. The joys and struggles of marriage so beautifully set to music. Trying to act cool, I couldn't help but clear a tear away as Neil Patrick Harris belts "Marry Me a Little" and the original add-on song "Being Alive". Even songs from the male perspective hit notes of resonance with many married women including "Sorry, Grateful". Add to that, Patti LuPone's almost TOO perfect belting of "Ladies Who Lunch"...it was musical gold.
I HOPE that this is a production that see's a release on DVD at some point, but in the meantime if you want to see musical theatre at some of its finest...get thee to to a theatre near you (I've seen it listed as playing this week at CARMIKE Wynnsong on Tuesday night at 7:30 PM), and give the old musical a try. It might surprise you how relevant some of the old stuff can be.
In order to wet your appetite, I give you the first song back after the intermission (which is somewhat different than a lot of the songs in the musical). ENJOY and buy your ticket NOW!
I have since seen 3 different productions of "Sunday in the Park with George" and each moved me to tears. I've been blessed to see a production of "A Little Night Music", which convinced me that the song, "Send in the Clowns", (when in context), is not a horrible song. I even converted, in some small ways, my husband who's not into musical theatre. Last year, we went to see the incredible production of "Sondheim on Sondheim" which explored his telling of his songwriting and his career combined with stellar performances of his music from such greats as Barbara Cook, Vanessa Williams and the always surprising Tom Wopat (yes, Luke Duke). I own DVDs of "Into the Woods", "Putting it Together", "Sweeney Todd" (the original cast), "Sunday in the Park with George" and the last Broadway production of the film I'm discussing now...as well as the documentary of the original cast recording. Am I obsessed? Yes.
Today, I was blessed to receive a surprising text message from fellow "Musical"-lover Keri asking me if I was interested in attending a Fathom Event at a movie theatre in Oak Ridge with sweet man, James. It was latest production of the musical COMPANY, which got a great preview on this year's Tony Awards. COMPANY is my 2nd favorite of all the Sondheim musicals. It details the relationships of the main character "Bobby", and his interactions with 5 couples of married friends. It's an honest, not sugar coated, sometimes cynical but in the end...endearing portrait of marriage and the views of a single man who is a voyeur into the lives of his friends. It also details 3 dating experiences of this man who's just not sure what side of the coupled fence he'd prefer to be on at this time in his life. I quickly threw on some clothes and out the door I went.
I am SO glad I got it together in time to see this showing. This production of COMPANY pairs the genius of the New York Philarmonic with insanely good performances by Neil Patrick Harris, Stephen Colbert, Martha Plimpton (who the hell knew she could sing - and well), Christina Hendricks, Craig Bierko, Jon Cryer, the sublime Broadway grande dame of our age, Patti LuPone and that's only to name a small few of the performers who round out the cast. The timing was incredible. The cast so true to the material which has really stood the test of time (as the play originally was produced first in the 70s). The themes are still both true and relevant. The music, still moving. The joys and struggles of marriage so beautifully set to music. Trying to act cool, I couldn't help but clear a tear away as Neil Patrick Harris belts "Marry Me a Little" and the original add-on song "Being Alive". Even songs from the male perspective hit notes of resonance with many married women including "Sorry, Grateful". Add to that, Patti LuPone's almost TOO perfect belting of "Ladies Who Lunch"...it was musical gold.
I HOPE that this is a production that see's a release on DVD at some point, but in the meantime if you want to see musical theatre at some of its finest...get thee to to a theatre near you (I've seen it listed as playing this week at CARMIKE Wynnsong on Tuesday night at 7:30 PM), and give the old musical a try. It might surprise you how relevant some of the old stuff can be.
In order to wet your appetite, I give you the first song back after the intermission (which is somewhat different than a lot of the songs in the musical). ENJOY and buy your ticket NOW!
Monday, June 13, 2011
MY 2 CENT REVIEW: Super 8
I would tell you I'm not into sci-fi, but that's not true. I guess I'm just tired of overused dramatic themes meant to add "heart" to a situation. I find what I call "the dead mother" theme a bit trite. I understand that it's a huge life changer (from experience, yes I know), but wouldn't it be just as interesting to follow the dramatic turn of a group of kids who are dealing with their town turned upside down by a strange monster thingy without the addition of the "dead mother" plot line? I feel it's a ploy a lot of storyteller's use to tug at our heartstrings without really reaching for something unique and just as heart-tug-worthy.
While a lot of people have indicated much love for SUPER 8, I didn't hate it but I didn't LOVE it either. A lot of people said it was a return to fine form for Steven Spielberg and it reminded them of his older movies. Yeah...that was part of the problem for me. A touch of ET, a smattering of CLOSE ENCOUNTERS with the big bang boom of J. J. Abrams. The cast was well chosen and the kids endearing (especially because they're part of the nerdy future-film makers variety). All in all, it was a nice way to spend a few hours - but much like I felt about the TITANIC...I won't see it again anytime real soon.
While a lot of people have indicated much love for SUPER 8, I didn't hate it but I didn't LOVE it either. A lot of people said it was a return to fine form for Steven Spielberg and it reminded them of his older movies. Yeah...that was part of the problem for me. A touch of ET, a smattering of CLOSE ENCOUNTERS with the big bang boom of J. J. Abrams. The cast was well chosen and the kids endearing (especially because they're part of the nerdy future-film makers variety). All in all, it was a nice way to spend a few hours - but much like I felt about the TITANIC...I won't see it again anytime real soon.
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